The work parts from the concept of the “theory of the sets” and the way infinitude is described under its definition. This theory implies the possibility of forming sets of any possible variety and quantity of elements: it is possible to imagine a set made up of a bicycle, an elephant and a song. However, when one tries to refer to the biggest set of all, it is impossible to imagine it without having to think about another set that contains it as a single element. This relation continues incessantly, without reaching an end.
It is possible to think infinitude, not as a system that functions through invention or novelty, but as something that is only feasible through the configuration of existing matter and existing ideas. This way, originality is abolished from the system.
This project was developed in two stages: the first one in 2010 utilized a patrimonial building as a sculpture mold and sand as its sculpture matter. The second version of the project took place in 2012, between a house and the street in front of it. In both cases, the pieces became changing sculptures that transformed infinite times in infinite manners and that overflowed their molds.